Robyn dancing on my own best songs of 10s
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The title of “Drunk On A Plane” hints at a cautionary tale about the dangers of open-bar flying, but country wanderer Dierks Bentley’s songwriting skill turns this 2014 singalong into an affecting tale about being stuck with the fallout from a love gone wrong. Dierks Bentley, “Drunk On a Plane” (2014) On “Ain’t It Fun,” she uses that expanded palette-and a feisty gospel choir-to whoop and holler her way through the gnarlier bits of growing up.
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It worked like a charm, with vocalist Hayley Williams sounding newly energized by the possibilities of her band’s bigger sound. Tennessee emo-pop band Paramore rebooted itself with its 2013 self-titled album, bringing programmed drums and glossy strings into its high-energy guitar-bass-drums mix. As her sense of longing reaches a fever pitch, the band leans on an incipient groove and a full-on indie-psych coda breaks out, complete with sputtering guitar solo-so when the song finally whirls to a halt, it evokes the tail end of a crying jag that can only be stopped by a sudden, deep sleep. Its piston-precision guitar riffs and the clipped delivery of vocalist Amber Papini turn her requests to a long-gone lover-”Take me on a plane tonight,” “Tell me not to leave and cry”-into desperate commands. The opening of this 2013 single by Brooklyn trio Hospitality is all about crispness. A midtempo guitar ballad with quietly devastating lyrics, “All Too Well” nods to her country-prodigy past, but with the sort of maturity that transforms even the most dramatic moments of one’s life fade into shades of gray. This track off 2012’s Red is proof that she became one of music’s grande dames because of her ability to crystallize emotional details. Taylor Swift’s 2010s were filled with stadium-sized spectacles that cemented her status as one of the world’s biggest pop stars. A heart-eyed emoji set to music, “I Want You” takes the love song to church-and thanks to James’ skyscraping falsetto and utter gusto, he makes romance seem like the most holy quest. His soulful, bursting-with-energy voice established him as one of R&B’s leading vocalists, and this 2012 mash note is a shining example of why. New Orleans-born singer-songwriter Luke James’ charm and chops helped his acting forays, including his turn as Johnny Gill in BET’s The New Edition Story and his comedic cameo in 2019’s Little, a name with audiences. Story continues Luke James, “I Want You” (2012) “Everything Is Embarrassing” evokes the full-body cringe that’s often felt when taking an emotional risk, its plush arrangement providing the comfort for any agonies that might follow. Artists like Ferreira, Charli XCX, and Haim all operated in a way that was parallel to the charts, exploring how they could take the verse-chorus-verse ideal to 21st-century realms. Sky Ferreira, “Everything Is Embarrassing” (2012)Ī slow burner with the glossy synths of late-’80s sophistipop and the furtively wounded vocals of late-’90s alt-rock, Sky Ferreira’s sulky 2012 single “Everything Is Embarrassing” was a throwback that represented pop’s next wave. Her to-the-bone descriptions of watching her love interest kiss another are searing yet glum, with the energy they conjure channeled into punching-bag drum programming that shrouds her pain in a cleansing fire. 2010’s heartbroken “Dancing on My Own” is part mini-movie, part power ballad, and all feeling. Since her days as a teen pop protégé of Max Martin, Robyn has been one of pop’s singular figures, veering in her own direction in ways that the masses would eventually follow. It’s an exercise in pop catharsis that doubles as an exorcism for the demons that lurk after an affair flames out. The lead single from Adele’s blockbuster second album 21 was a four-minute primal scream shaped into a rolling-thunder epic, with the British belter’s formidable alto making every charge against her ex-abandonment, manipulation, just being a generally bad guy-add up until they were as high as a funeral pyre. Songs about love gone wrong remained a pop staple in the 2010s: All the decade’s technological advances didn’t do much for romance, when all was said and done.